Afrobeats star Moliy joins Delay in latest episode after months of speculation.
Popular TV host Delay has once again pulled a surprise on her audience by bringing on Ghanaian-American Afrobeats artist Moliy and a mystery guest—sparking excitement and theories online.
The episode, released this week, opens with Delay’s signature build-up before revealing her guests. Moliy, known for her international breakout on Amaarae’s Sad Gurlz Luv Money, was dressed stylishly and spoke candidly about her career, identity, and music journey.
The unexpected presence of a male guest—whose connection to Moliy was hinted but never clarified—sent fans into detective mode. Was he her manager? Her partner? Delay, ever the master of suspense, left it unanswered.
Moliy discussed the challenges of being a Ghanaian woman in the global Afrobeats scene, noting that consistency and authenticity had kept her grounded.
Her fans praised the interview for its depth. “She’s underrated, and Delay gave her a big platform,” one tweet read.
The appearance marks a rare Ghanaian TV spot for the artist, who spends most of her time touring in the US and UK. Many are hoping this sparks a new wave of local performances from the star.
The episode has already hit over 100,000 views and is still climbing. Delay, once again, has proven that her show remains one of the most watched and talked-about platforms in Ghana.
“Captain Ibrahim Traoré” teaser raises expectations but draws criticism on visual effects.
Kumawood actor and comedian Lil Win has once again stirred social media, this time with the release of a teaser for his upcoming film titled Captain Ibrahim Traoré. While fans applauded the bold storyline and ambition, many raised concerns about the movie’s editing and overall visual presentation.
The short teaser opens with Lil Win playing the role of a fictional African military hero, clearly inspired by the real-life Burkinabé leader. However, it was not the plot that caught attention—it was the noticeably weak visual effects and editing quality.
Social media users didn’t hold back their reviews. “Great idea, poor execution,” one user wrote. Others questioned the film’s budget, while a few applauded the comedic flair that Lil Win brings to every role.
In defense of the teaser, Lil Win stated in a recent interview that the clip was not final. “It’s just a sample—we’re still working on the real visuals,” he assured fans.
Despite the criticism, anticipation remains high. Lil Win’s previous film projects, such as A Country Called Ghana, gained impressive online traction and fan support. Industry observers believe this project, if polished correctly, could reach international streaming platforms.
Whether intentional or not, the teaser has sparked widespread conversation, further cementing Lil Win’s status as one of Ghana’s most entertaining yet unpredictable creatives.
Onua Showtime team visits popular actress and TV host as she recovers in style.
Ghanaian superstar Nana Ama McBrown has finally been seen in public again following her recent surgery, as members of the Onua Showtime team paid her a surprise visit that warmed the hearts of fans across the country.
In a new video circulating on social media, McBrown, glowing and visibly stronger, is seen welcoming her team with open arms. She wore a simple but elegant dress, sitting comfortably as she shared smiles, jokes, and light-hearted banter.
The popular actress and presenter has been absent from her television duties for weeks, sparking concern among fans. Rumors of surgery were eventually confirmed by close sources, though the exact nature of the procedure was kept private.
Her fans, who had been anxiously awaiting updates, erupted in joy upon seeing the clip. Comments flooded the post with phrases like “We miss you, Queen,” and “Welcome back stronger.”
McBrown took the opportunity to thank her followers for their prayers and unwavering support. She also assured her audience that she would soon be back on Onua TV with even more energy and inspiration.
“Rest is necessary, but I’m not finished yet,” she said with a laugh during the short clip.
The visit not only uplifted the actress but reignited excitement among viewers who consider her one of the most charismatic figures on Ghanaian television. Her return is expected to bring a significant ratings boost.
While she remains on the path to full recovery, Nana Ama McBrown’s graceful appearance has reminded Ghanaians why she remains beloved—not just for her talent but for her resilience and warmth.
Joyful moment at Ghana’s female prison goes viral as inmates mark birthday following Agradaa’s popular presence.
A heartwarming moment at Nsawam Female Prison has gone viral on social media after a young lady was seen joyfully celebrating her birthday in the facility, shortly after the recent incarceration of evangelist Patricia Asiedua, popularly known as Nana Agradaa.
In a video circulating online, the woman, dressed in white, is seen surrounded by other inmates, clapping and singing with joy. The celebration appears to have taken place in a modest prison yard, but the enthusiasm and emotion displayed by the inmates told a much deeper story.
The scene, surprisingly cheerful, follows a period of public attention drawn toward the prison after Agradaa’s sentencing. Her presence in the facility seems to have brought an unusual amount of public and media focus to the female wing of the Nsawam Prison.
Observers speculate that the attention surrounding Agradaa may have made prison authorities more lenient toward organized group activities, though officials have yet to comment on the celebration.
Reactions on social media have been mixed. While many praised the human spirit of the inmates and found the video inspiring, others questioned the appropriateness of recording such footage inside a high-security facility.
Regardless, the birthday video has resonated with Ghanaians online, serving as a reminder of joy and community—even behind bars. Some users even commented that “Agradaa’s presence may have changed the entire vibe of the place.”
As the video continues to make rounds, many are calling for reforms that allow for more humane treatment and social engagement in prisons, especially for women and first-time offenders.
The birthday girl, whose identity remains unknown, has unintentionally become a symbol of hope and resilience. Her story may be short, but the impact is already lasting.
Evangelist to Remain in Custody as Legal Team Continues Appeal Against 15-Year Sentence
The High Court in Amasaman has rejected a bail application filed on behalf of Patricia Asiedua Asiamah, widely known as Nana Agradaa, while her appeal against a 15-year prison sentence is underway.
Dr. Bernard Kofi Asamoah, a member of Agradaa’s legal team, confirmed the court’s decision in an interview with Citi News on Tuesday, July 15. According to him, the request for bail pending the appeal was turned down, with the court instructing the Circuit Court to submit all relevant documents concerning the case to facilitate the ongoing appeal process.
“We wanted bail pending appeal, and the court did not grant it. The court has given an order that the Circuit Court furnish it with all the processes needed for the appeal. We will continue the appeal process,” Dr. Asamoah stated.
This development follows the July 3 sentencing of Nana Agradaa by the Circuit Court, presided over by Justice Evelyn Asamoah. The former traditional priestess turned evangelist was found guilty of defrauding by false pretence and engaging in charlatanic advertisement, receiving a 15-year custodial sentence.
Her legal team has challenged the conviction, citing alleged unfair trial procedures and what they describe as an unjust ruling. On July 7, her lead counsel Richard Asare Baffour confirmed that a formal petition had been filed at the High Court to overturn both the conviction and sentence.
Despite the recent setback in their bail request, Agradaa’s lawyers say they remain fully committed to navigating the legal process and seeking justice through the appellate court system.
During an interview with Nana Romeo on Okay Fm, Ibrahim confirmed he talked to Agradaa as she was being led to observe protocols at the Nsawam “Female” Prison Facility.
Popular Ghanaian philanthropist and CEO of Crime Check TV, Ibrahim Oppong Kwarteng, has publicly confirmed that controversial evangelist Nana Agradaa is currently in prison.
In an exclusive conversation with radio host Nana Romeo, Kwarteng — known for his tireless work visiting prisoners and advocating for justice reform — addressed the swirling rumors surrounding Agradaa’s legal situation. While many have speculated and waited for clarity, Kwarteng set the record straight: “Nana Agradaa is indeed in prison.”
He did not elaborate on the exact details of her sentence or charges but made it clear that her current status is not speculative. Kwarteng’s confirmation carries weight due to his longstanding credibility and humanitarian efforts within Ghana’s prison system. Through his YouTube-based platform, Crime Check TV, he has become a trusted voice in exposing injustices, helping wrongfully jailed inmates, and supporting ex-convicts to reintegrate into society.
Nana Agradaa, also known as Evangelist Patricia Asiedu, has long been a controversial figure in Ghana — transitioning from a fetish priestess to a Christian evangelist, only to face a series of legal battles and fraud allegations in recent years.
As public curiosity grows, many are now turning to Kwarteng for further updates. Meanwhile, questions remain about the nature of her imprisonment, its duration, and what lies ahead for the once-popular televangelist.
A heart-wrenching case of child trafficking has emerged in West Yorkshire, where a baby girl smuggled from Nigeria may never know the truth about her origins.
In a deeply unsettling case that has shaken communities both in the UK and Nigeria, a baby girl trafficked across borders is now set to be placed for adoption—far from her homeland and biological parents, who may never see her again.
The case came to light after a woman living in West Yorkshire presented herself to her general practitioner (GP) claiming she was pregnant. She continued the charade throughout her supposed pregnancy, even undergoing checkups and receiving support as an expectant mother. Authorities say she then traveled to Nigeria and returned to the UK not long after—this time with a newborn in her arms.
Suspicion grew when inconsistencies arose in the woman’s account. Medical professionals became concerned, prompting investigations that ultimately revealed the shocking truth: the child was not biologically hers. Further probing confirmed that the baby had been trafficked from Nigeria under the pretense of childbirth.
The woman, whose identity has not yet been publicly disclosed due to ongoing legal proceedings, is currently under investigation for human trafficking and deception. Child protection services have taken custody of the baby, who is now being cared for by social services. A family court has ruled that the child will be placed for adoption in the UK.
Authorities admit that efforts to trace the child’s real parents in Nigeria have so far proven fruitless. Without reliable documentation or voluntary testimony, the baby’s true identity remains shrouded in mystery.
The case raises urgent questions about the vulnerabilities in international travel, adoption systems, and child protection frameworks. It also exposes a heartbreaking reality: somewhere in Nigeria, a family may be searching for a baby girl they may never find again.
Human rights advocates are calling for stronger cooperation between UK and Nigerian authorities to tackle the growing problem of child trafficking and ensure justice for victims like this unnamed infant.
As the child begins a new life with adoptive parents in the UK, one haunting truth remains—she may grow up never knowing who she truly is or where she came from.
The former military ruler and two-term civilian president passed away after a brief illness in the United Kingdom; his legacy remains a mix of reform, controversy, and historical milestones.
London, United Kingdom – Nigeria is mourning the passing of its former president, Muhammadu Buhari, who died at the age of 82 in a private clinic in London, according to a statement released by his family. Buhari, who served as the country’s democratically elected president from 2015 to 2023, had traveled to the UK in April 2025 for what was initially described as a routine medical check-up. However, his health reportedly deteriorated in the weeks that followed, leading to his demise. The exact cause of death has not yet been disclosed.
Throughout his political career, Buhari was both a symbol of military discipline and democratic resilience. His initial rise to national prominence came in 1983, when he led a military coup that overthrew the civilian government of President Shehu Shagari. As a military head of state, he ruled Nigeria with a strict hand for 20 months before being ousted by another military takeover in 1985.
Decades later, Buhari reinvented himself as a civilian politician. After several failed attempts at the presidency, he made history in 2015 by becoming the first opposition candidate in Nigeria’s history to defeat a sitting president, Goodluck Jonathan. His victory was largely based on a platform promising to combat corruption, reduce insecurity, and revive Nigeria’s struggling economy.
Buhari’s presidency was marked by numerous achievements as well as controversies. While he was praised for significant anti-corruption efforts and infrastructure development, his administration also faced criticism over human rights concerns, economic challenges, and rising insecurity in various regions of Nigeria. Many observers and critics noted a seeming lack of urgency in responding to major crises, particularly the insurgency in the Northeast and worsening banditry in the North-West.
His health remained a persistent topic of public discourse during his time in office. Buhari spent extended periods abroad for medical treatment, sparking nationwide debates about transparency and the need for improved healthcare within Nigeria. Though his aides often downplayed the severity of his health issues, rumors about his well-being were constant throughout his two terms.
Despite the criticisms, Buhari remained a towering figure in Nigeria’s political landscape. His reputation for personal integrity won him admiration among segments of the population, particularly in the North. His supporters saw him as a disciplined, incorruptible leader who did his best in the face of mounting national challenges.
Tributes have begun to pour in from world leaders, African heads of state, and prominent Nigerian political figures. Current Nigerian President Bola Ahmed Tinubu has expressed his condolences, calling Buhari “a patriot who dedicated his life to the service of Nigeria, both in and out of uniform.”
Funeral arrangements are expected to be announced by the family in collaboration with the Nigerian government. His death marks the end of a significant chapter in the history of Nigeria—one shaped by military rule, political rebirth, and an enduring quest for national progress.
Ghana’s powerhouse twin duo DopeNation—composed of Michael “B2” and Tony “Twist” Boafo—officially launched their most daring project yet: a 17-track studio album titled GhanaPiano (The Album). As self-produced artists, the twins have meticulously crafted each beat, mixing Ghanaian musical heritage—Highlife, Afrobeat, and Hiplife—with the infectious rhythm of South Africa’s Amapiano genre.
A Masterful Fusion of Rhythm & Culture
Touted as a “genre‑bending cultural fusion of sound, energy and soul,” GhanaPiano delivers from the first beat. Whether listeners are in bustling Accra or tuning in from the global diaspora, the album offers a musical journey blending log‑drum grooves, complex percussion, and rich vocal textures . Critics have praised the duo’s skill, noting how the album strikes a perfect balance between dance-floor-ready bangers and soulful, introspective tracks.
Tracklist Highlights & Artistic Growth
Beyond familiar releases like “I Pray,” “Steeze & Composure,” “Gbohe,” “Jakpa,” and “Shey,” the album features a fuller narrative arc with new additions such as “Intro,” “Only You,” “Ye,” “Some Way,” “Fear Women,” “Dinner,” “Mommie,” “Baddest,” “Interlude,” and “Outro” . The inclusion of these fresh cuts reveals DopeNation’s ambition to craft a cohesive listening experience that transcends the traditional single-hit model.
The Producers Unveiled
What makes GhanaPiano exceptional is its origin story: every sample, rhythm, melody, and vocal texture was produced by B2 and Twist themselves . This holistic approach cements their reputation not only as hit-making performers but as visionary sonic architects, unafraid to shape their sound on their own terms. Their evolution—from early hits like “Bebia Ye Shi” (2016) and “Eish” (2018) to internationally-produced tracks for stars like Shatta Wale and Olamide—has laid the foundation for this album’s creative independence.
Cultural Statement & Continental Relevance
GhanaPiano serves as more than a musical release—it’s a cultural manifesto. In an era of transcultural collaboration, the duo’s seamless blending of Ghanaian roots with Amapiano’s township pulses signals pride in their heritage and confidence on the world stage . These cross-border influences showcase Africa’s evolving music ecosystem, where genres travel, learn, and transform in real time.
Fans & Industry React
Reactions from fans have been swift and positive. Across social media and streaming platforms, listeners commend DopeNation’s authenticity, praising the rhythms, production quality, and the fresh energy the album brings to Ghana’s music scene. The album is already showing strong traction on Apple Music and Spotify, indicating serious listener engagement across Africa and beyond.
What Comes Next
With GhanaPiano now streaming on all major platforms, the next chapter for DopeNation likely includes tours, high-energy performances, and visual content to bring the album to life. Their hands-on production style hints at expansive creative control—expect future singles, remixes, and collaborations handled with the same in-house finesse that defines this project.
On July 10, 2025, the Ghana entertainment world was rocked when rising DJ-turned-entrepreneur DJ Azonto filed a staggering $100 million lawsuit against rapper Medikal. In court documents obtained by Pulse Ghana, DJ Azonto claims that Medikal’s latest single, “Shoulder”, illegally used the distinctive chant “Alla”—a phrase he asserts is his trademark and the “cornerstone” of his brand identity.
🔥 The Clash: Intellectual Property Meets Hip‑Hop
According to DJ Azonto’s legal team, Medikal failed to seek permission to use “Alla,” which has become synonymous with Azonto’s performances and remixes. The lawsuit doesn’t stop at finances—it also seeks diamond-studded chains, a Rolls-Royce Phantom, and royalties on future uses of the chant, citing damages to Azonto’s reputation and profit potential.
In response, Medikal, known for his quick wit, fired back with online posts dismissing the suit as infernal grandstanding—plus the viral comment “Killa Ntua!” (playfully meaning “killer of stories”) . The water is officially boiling.
⚖️ What This Means for Artistic Rights in Ghana
This high-stakes legal battle isn’t just about two public figures—it spotlights the broader issue of intellectual property rights in Ghana’s music industry. As artists increasingly monetize every catchy hook, dance catchphrase, and anthem, courts may soon be asked to adjudicate what counts as creative trademark territory versus what’s culturally shared.
🎧 Cultural Chants, Cultural Clashes
Chants like “Alla” often simmer in Ghana’s vibrant street dance and club scenes before spilling into mainstream tracks. DJ Azonto’s claim raises a crucial question: Can someone “own” a chant that originates in communal spaces? The case could set a groundbreaking precedent—either validating business-centric ownership of performance elements, or affirming cultural folk-sharing as inviolable.
🧾 The Stakes Ahead
Next steps include a discovery process, witness testimonies, and expert music-licensing specialists—predicted to last months. Both artists have requested an expedited trial, citing reputational urgency as Medikal’s summer release cycles loom.
Fans of both artists have taken to X and WhatsApp groups, with no shortage of memes: some support Azonto’s entrepreneurial stance; others side with Medikal’s freedom-of-expression defense. Either way, this clash has catapulted Ghana’s entertainment law into the limelight.
